Louis Koo — a familiar name to almost everyone in Hong Kong. The first thing that may come to mind is his contribution to Hong Kong cinema. Not only is he the President of Hong Kong Performing Artistes Guild, but also the President of the Federation of Hong Kong Filmmakers. Last year, his film production company One Cool Group Limited celebrated its 10th year running. There’s no denying the tireless efforts Koo has devoted to promoting Hong Kong cinema. From his debut in 1993 up until today, he has bore witness to the industry’s evolution and rise. In his eyes, Hong Kong glimmers with hope and its film professionals shine on like the neon lights of the city. “I think my career has only just begun,” the entertainment mogul tells us.
What does Hong Kong mean to you and how would you describe the city’s spirit?
Hong Kong is where I was born and also where I was raised. So far I’ve been working here, and I consider it my home. Despite some relatives immigrating elsewhere these years, they’d still visit me from time to time. After all, this is a place for hustling in Hong Kong people’s eyes, so we tend to feel attached. Hong Kong values creativity and I’m grateful to be in the movie industry as it allows me endless opportunities to try something new. This is what makes me happy in this city.
What is Hong Kong spirit to you?
In my opinion, Hong Kong people’s brains spin fast and work extremely efficiently. You can tell from just the way everyone at the airport speed walks rather than strolls, that we value efficiency. We’re also quick-witted and adaptable, earning us the nickname of the “chameleon”. This is a terrific strength and spirit that we should carry forward.
What significance does Hong Kong cinema hold for you?
Although Hong Kong cinema has had its glory days, it’s time we welcome a massive change. We need to find a new way or opportunity to make a comeback, that’s what I think about Hong Kong cinema now.
How do you think Hong Kong cinema can make that comeback?
I want to try everything that I haven’t. Of course there are limitations when it comes to the market and certain subject matter which may hinder people from trying something new. If possible, don’t be afraid to jump outside of the box, perhaps it will pave the way for even better opportunities. Collaborations across different movie divisions could give rise to new ideas, and draw in wider audiences for Hong Kong movies. But this requires constant experimenting and creating.
L.U.C XP Spirit of Shichen watch in rose gold with leather strap; bracelet in white gold with emeralds and diamonds; necklace in white gold with emeralds and diamonds; ring with white gold and diamonds, all Chopard. Jacket and knit pullover, Fendi.
How have films helped you in life?
In life, we can only play one character, but as an actor you can live a variety of lives, with endless possibilities of careers, feelings and personalities. Movies give you the chance to experience all that life has to offer. Nothing is impossible in the world of cinema — it might not be as apparent to the ordinary person, but actors have the joy of immersing in its charm.
How do you view “success”?
You’ve got to understand that there’s no success that’s final, or failure that’s forever. Perfection doesn’t exist in life, let alone a definition of “success”. All that matters is whether you find fulfillment. I’ve never thought of myself as successful, actually, I think my career has only just begun. My company has just entered its 10th year, but there’s still lots to do in the future.
You’ve always been an advocate of Hong Kong’s budding actors. What do you think of them?
Their talent far exceeds my generation’s, but they don’t have as many opportunities compared to us back then. Hong Kong cinema was booming in the ’80s and ’90s, so naturally many acting gigs arose. But because [this new generation of actors] have so much access to the world, their ideas are more diverse — it’s luck and opportunities they have to wait for.
What do you want to say to Hong Kong people?
Do your best and find your life’s purpose.
Translated by Karrie Lam
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