In December 2020, Song Hye Kyo graced the cover of Vogue Hong Kong for the first time. As I read through her past interview, one of her answers caught my eye. When asked what type of roles she enjoyed best, Song answered, “Rather than a favourite type of role to play, I would like to try a role within a mystery/thriller genre in the future.” Fast forward to a little over four years later and the K-drama veteran holds a Best Actress Baeksaeng Arts Award for her performance in Netflix’s hit psychological thriller series, The Glory, and her latest project, an occult film called Dark Nuns, is set to premiere in Hong Kong this month. Goosebumps.

Some might say she simply “manifested” these roles, but it is Song’s willingness to push herself beyond her comfort zone that steers her remarkable evolution. “Even before ‘The Glory’ I had the opportunity to tackle [thrillers], but it didn’t happen,” she shares. “I think because I received a lot of love within the romance genre, I felt a sense of security with it and generally had more offers in that genre […] The excitement that comes from taking on new genres and characters is what motivates me.” 

An aspiring director and a lonesome heiress? What about a conscientious surgeon and a vengeful school teacher hardened by childhood abuse? Song has done it all. And as she delves into the complexities of her work, charting an ever-evolving career that some can only dream of, she finds herself at the threshold of yet another reinvention. 

Congratulations on the chart-topping premiere of your film, “Dark Nuns”! What first drew you to this story and the role of Sister Junia? Are there any important lessons you’ve learnt from her character?

Sister Junia is a free spirit, yet she has strong convictions and knows how to accept what is given to her. I find that her unwavering belief in humanity, and the fact that she would fearlessly do things the church advised against, make her a compelling character. Even in the face of evil spirits, she remains calm. (laughs)

I think I was drawn to Junia’s conviction and boldness in making brave choices that were different from mine. As I slowly transformed into Junia, I felt like I had gone beyond just understanding her inner self—I became Junia herself. I think my thoughts on self-sacrifice also changed in Junia. I went from thinking “I couldn’t do that” to “I would have done the same.”

What was the most challenging aspect of filming “Dark Nuns”?

We filmed the exorcism scene towards the very end of shooting this film, and it was physically demanding and required a lot of my physical strength. Fortunately though, the emotions came naturally. In fact, part of why I chose to take on this film was because of the exorcism; it would be my first time filming something like this so I was looking forward to show some faces I hadn’t shown before.

You’re reportedly working on a new Netflix drama alongside Gong Yoo called “Show Business”. Could you tell us more about this drama and your role? Why did you take on this project and what excites you most about it?

“Show Business” is set in the Korean entertainment industry during the 1960s to the 80s. It tells the story of those who, despite having nothing, threw themselves into chasing their dreams of success. Among them, my character Min-ja is someone who experienced all kinds of hardships in childhood and has developed an inner core stronger than anyone else’s. While living a tough life, she sees an opportunity in the Korean music industry and takes a bold leap of faith. I’m excited to showcase a new side of myself through Min-ja.