The saying goes that people who are a jack of all trades are a master of none, but that’s not the case for Terence Lam. He has mastered the role of the lyricist, composer, arranger and producer – a cornerstone of creativity and prowess for Hong Kong’s new generation of artists. In the past few years, Lam has swept countless music awards and even took the stage in London’s O2 arena for his first overseas solo concert. Taking his music to the world stage, Lam has earned the recognition and adoration of fans and industry professionals alike.
What do you think about the cover shoot location at Kong Ha Wai mansion?
Kong Ha Wai has a sense of nostalgia. It exudes a contradicting feeling of abandonment and value. I actually had the flu at the time, but felt at ease during the shoot – the feng shui must be pretty good there? This is my first time doing a fashion shoot in a historical site and the interweaving of old and new is refreshing. It feels nice.
Are you interested in history? Have you looked into Hong Kong’s architecture and traditional customs?
I loved to do projects on Hong Kong’s history and old architecture when I was a kid. I liked Hong Hong’s blend of Chinese and and ‘Western’ in its history and facade. I wouldn’t go as far to say that I have a deep understanding, but I look forward to future opportunities of imbuing elements of Hong Kong’s culture in my craft.
How has Hong Kong’s history and culture influenced your creative work?
I think the traditional and non-traditional elements in Hong Kong’s history has indirectly given my work a certain Hong Kong ‘flavour’. I prefer to keep traditional elements in my work, but I like adding a touch of something different as well. This goes for my personality and life as well – traditional but not too much, old school but not close minded. Perhaps these add flair to my music creations.
How would you describe your feelings towards Hong Kong? What does Hong Kong mean to you?
Like feelings towards family, I don’t reveal it often. Here is where I find the most familiar and comfortable, it’s like my ‘big pillowy bed’.
Is there a moment in your career that you find most important?
To me there hasn’t been a most important moment as they only get more important. But in others’ eyes, it might be the solo concert at London’s O2 arena. When I completed the feat, I couldn’t even believe that I did it, it’s a surreal thing.
What does music give you? What kind of music attracts you most?
Music brings me fulfilment and confidence. Without music, I’d be nothing and wouldn’t know how how to be as brilliant as others. Sincere music attracts me most — it’s the rarest kind.
What’s given you the persistence to continue creating for yourself and others?
Maybe the royalties? (laughs) Or the fulfilment that comes with moving others and myself through the process.
What goals and expectations have you set for yourself now?
I’m hoping not to set goals and expectations so frequently now and just let my feelings lead the way. Although, I know that’s not easy.
What does “Hong Kong spirit” mean to you? How does one carry it forward?
To me, Hong Kong spirit is judgement. Hong Kong people love to judge everything, and I’ve noticed that it creates all sorts of emotions and creative output. This quality and fun is entirely unique to Hong Kong. I hope room for judgement remains.
What do you want to say to Hong Kong people?
Thank you to us.
Translated by Karrie Lam
Photography: Hong Jang Hyun
Fashion Director: Jonathan Yee
Makeup Artist: Chichi
Hair Stylist: Cedric Tsang
Creative Producer: Marina Fairfax
Executive Producer: Second Li
Artist & Creative communication: Lee Kyung Kim @ BL Creative House
Senior Fashion Editor: Kyle Tang
Production Manager: Jacky Liu
Fashion Assistants: Mama Yiu & Naoki Li
Editor
Fung Hiu Kwan