Let’s rewind to the year 2000, when Jay Chou released “Jay,” his debut album that shook the entire Chinese music scene. The young, inexperienced boy was destined to become a force to be reckoned with in the industry. Now, with 15 personal albums under his belt, Chou has honed his craft to create a distinct musical style, showcasing his artistic vision. It’s easy to catch a glimpse of Chou’s world through his works, a world brimming with creativity and imagination. He candidly shares, “Art is deeply interwoven into life. I love observing different things around me as it inspires me to create. I was really into Western cowboy films for a while, which led to the song ‘Cowboy On The Run’. Being imaginative in music means exploring unexpected topics, like the martial arts-themed ‘Nunchucks,’ the basketball-inspired ‘Basketball Match’, or the motivational ‘Rice Field.’ In the future, inviting legendary figures like Federer or Nadal to shoot a music video would be amazing!”

Every art form possesses its own means of expression. Music, as one of the eight major arts, has long been regarded as a creative medium that fosters communication between people through sound. In recent years, Chou, who has cultivated a passion for art collection, has woven his love for art into his work. For example, in the 2016 song “Bedtime Stories”, he references the masterpieces of Salvador Dalí, while his 2022 track “Greatest Works Of Art” alludes to renowned artists such as Belgian surrealist René Magritte, the vibrant Henri Matisse, post-impressionist Vincent van Gogh, Norwegian expressionist Edvard Munch, and the Chinese artist Zhang Daqian, all vividly illustrated through the lyrics and music video. He actively champions the importance of art through his creative endeavours.

 

“My mother [Yeh Hui-mei] was an art teacher, and she shared countless stories about artists with me during my childhood, allowing me to grow up in a rich artistic environment. Only when I began directing music videos could I truly express my thoughts on art. Everyone encounters art in their lives; you might just not recognise it as such. Brewing a cup of coffee and creating latte art is a form of art, and so is capturing a photograph. Recently, I’ve been contemplating whether a person’s sense of aesthetics is innate or cultivated over time. The conclusion I’ve reached is that art is fundamentally subjective, and personal emotions profoundly influence the beauty of a piece.”

For his Vogue Man Hong Kong cover shoot, Jay Chou showcased two of his most treasured paintings: one from a 1973 Picasso retrospective at the Palais des Papes in Avignon, and the other is Gerhard Richter’s Abstraktes Bild (774-4), created in 1992, which is extremely rare. Chou candidly shared that his perspective on art collection has evolved with age. “When I first started collecting art, I would buy pieces simply because I found them visually appealing, almost like decorative items. However, through conversations with friends in the art world, I realised that it’s a process of self-exploration. I began to understand that I collect art not for investment purposes but because a deeper understanding of the artist compels me to own that work. This thought even inspired the song ‘Greatest Works Of Art’.’”

During the shoot, Chou took the two paintings very seriously, carefully examining each photo as it was taken. He said, “I often share my collection on Instagram, but this time, I wanted to approach these pieces with the utmost seriousness. Particularly with the Picasso painting, which originally belonged to his second wife and only appeared at the artist’s 1973 retrospective. It has never been shown at an auction, so it’s like obtaining a piece from his family. Because of this, it holds great significance for me, which is why I was so meticulous in selecting the photos.”

From novice to discerning art collector, Jay Chou has demonstrated his exceptional artistic taste to the public. In 2021, he collaborated with a renowned art auction house as a guest curator, during which the auction set nine world records for artists and achieved a remarkable white glove result, with all 46 lots successfully sold. Additionally, his visit to the home of Diana Picasso, granddaughter of Pablo Picasso, has sparked much discussion in the art community. “Being a curator could be one of my future plans. It wouldn’t be limited to paintings; I might also include my collection of antique cars, costumes featured in albums, concert outfits, and even the painting my mother created for the cover of the ‘Yeh Hui-mei’ album. This could create an exhibition with a narrative that resonates with my fans.”

Discussing his collection of Gerhard Richter’s works, Jay Chou said, “Since the Picasso piece I chose leans more towards the figurative, I also selected a relatively abstract Richter painting for the shoot. He enjoys using his own scraper to drag across the canvas, disrupting the layers of paint and gradually achieving the final appearance. This mirrors my own journey in collecting, which has been a gradual transformation. That’s why I wanted to feature the works of these two masters in this shoot.”

Upon closer inspection of the magnificent abstract painting, its uniqueness lies in a series of vertical stripes filled with red, yellow, blue, and green, resembling a translucent doorway that seems to dissect the essence of the artwork, creating a sense of randomness. This prompts me to consider whether Richter’s concept of “chance” in his painting style could be applied to the vibrant world of entertainment. Alternatively, one might wonder how an artist maintains their own convictions and persistence — what kind of person is Jay Chou in this regard? He muses: “Artists indeed have their own beliefs and dedication, as art is very subjective. In the past, when I worked in music or film, I believed something was good simply because it sounded or looked good, without much regard for others’ opinions. Now, I’ve become more adaptable. Having been in this industry for a while, I realise that to move forward, I need to learn to listen to others’ perspectives objectively and find a perfect balance.”

Artists like Picasso and Gerhard Richter didn’t rise to fame overnight. Rather, their legendary status was forged through the highs and lows of life. In contrast, Jay Chou has received almost unanimous praise and recognition since his debut. So, what does the word “success” mean for the “King of Mandopop”? “I never think about whether my work will be successful or whether it will resonate with its listeners immediately. Many great pieces of work require time to mature. So, what is the key to success? It’s all about having self-confidence. When I released my first album, that was my mindset while creating music. So-called ‘success’ comes from others’ evaluations. For instance, the sales of an album reflects whether people have confidence in your work. If I were to imagine my future self, I hope to admire all the work I’ve done just as I admired myself when I was making my first album.” Chou said calmly.

There’s no denying that after more than two decades in the industry, Jay Chou has witnessed tremendous changes in the music market. From physical albums to online music, the investment in and creativity of music videos are all transforming. Yet, he steadfastly upholds his creative principles and embraces breakthroughs. In recent years, Jay Chou seems to be experiencing a transformation of his own, learning to slow down and enjoy life.

“I’m really enjoying my life now. Most of my time is spent with family! After over twenty years in the entertainment industry, I feel the need to find balance in my life. Sometimes, I take my kids to art museums to expose them to art from an early age. They can now recognise the works of various artists and even share whose style they want to emulate. This gives me a great sense of accomplishment. Of course, I hope they will follow in my footsteps and pursue creative careers when they grow up — whether it’s singing, composing music, or painting. I once turned my daughter’s artwork into designs for my clothing brand. It’s a way for me to interact with my kids.”

As he talks about his children, a radiant smile spreads across Jay Chou’s face. In a way, this is a form of living art. Life experiences are like strokes of colours painting the fabric of life at different stages. Through destruction and reconstruction, one creates a unique self — just like Jay Chou has right now. 

 

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Photography: Troy Wang
Styling: Mark Jen Hsu
Makeup Artist: Emily Lam
Hair Stylist: A-Do
Producer: Second Li
Styling Assistant: Li Kuan Zhen
Photo Assistant: Arslan Yang, Jasper Jian, Flavia.C
Production: Cyrick Leung
Talent: Jay Chou
Text: Simon Au